Widening the Boundaries of the Spectacular: Constructing and Consuming the Female Gymnast and the Salome Dancer in Fin de Siècle Britain by Rachael Smith

Drawing upon understudied collections of circus and theatre ephemera, Rachael’s work explores the ways in which female perfomers utilised objects to cultivate alternative, often overtly erotic, performance selves before proceeding to examine the movement of sexualised images of female perfomers into the home via goods produced specifically for women and children.

rachael.smith@network.rca.ac.uk

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