The Eiffel Tower and Ferris wheel: Transfixed immobility and the performance of the modern in the late-nineteenth century by Kimberley Chandler

‘If […] you go wholly conscienceless,– not like a painstaking draftsman, but like a human Kodak, caring only for as many pleasing impressions as possible, not for the analysing of their worth,– you will be delighted.’ – The Century Magazine, 1893

kimberley.chandler@network.rca.ac.uk